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In the study of phonology in linguistics, the rime or rhyme of a syllable consists of a nucleus and an optional coda. In the study of Chinese languages, rimes are better known as finals or in Chinese, yunmu (PY: yùnmǔ, TC: 韻母, SC: 韵母).
"Rime" and "rhyme" are variants of the same word, but the rarer form "rime" is sometimes used to mean specifically "syllable rime" to differentiate it from the concept of poetic rhyme. This distinction is not made by some linguists and does not appear in most dictionaries.
The segmental structure of a syllable may begin with an optional onset or initial (shengmu), followed by a compulsory rime.
syllable: C<sub>1</sub>(C<sub>2</sub>)V<sub>1</sub>(V<sub>2</sub>)(C<sub>3</sub>)(C<sub>4</sub>) = onset: C<sub>1</sub>(C<sub>2</sub>) + rime: V<sub>1</sub>(V<sub>2</sub>)(C<sub>3</sub>)(C<sub>4</sub>) syllable: V<sub>1</sub>(V<sub>2</sub>)(C<sub>3</sub>)(C<sub>4</sub>) = onset: Ø (null) + rime: V<sub>1</sub>(V<sub>2</sub>)(C<sub>3</sub>)(C<sub>4</sub>) (C = consonant, V = vowel, optional components are in parentheses.)
The rime is usually the portion of a syllable from the first vowel to the end. For example, is the rime of all of the words at, sat, and flat. However, the nucleus does not necessarily need to be a vowel in some languages. For instance, the rime of the second syllables of the words bottle and fiddle is just , a liquid consonant.
Rimes are particularly significant in research through the use of rime tables on historical Chinese phonology and the origins of Chinese characters. The concept of yùn (TC: 韻, SC: 韵), meaning "rhyme", has been important in phonological studies since the Jin Dynasty.
Some confusion arises from the translation of Chinese terms. Traditional Chinese philology tends to break up a syllable into four parts:
Some Chinese phonologists even group yùnfù and yùnwěi into yùnshēn (TC: 韻身, SC: 韵身) and call it "rime". So the medial may be separate from the rime but still be part of the final.
The following examples of Standard Mandarin syllables illustrate the differences between conventional western phonology and the two interpretations of Chinese phonology: